39.4 W x 27.6 H x 0.01 D inch
$ 650.00
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Dimensions | 0.01 × 39.4 × 27.6 in |
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Artist | Mitra Khezerlou |
Owner | |
Art Style | Figurative |
Artist Country | Iran |
Material | Canvas |
Orientation | Vertical |
price | 1001-5000 |
Subject | Woman |
Height | 27.6 |
Width | 39.4 |
Length | 0.01 |
Ship in | Ship in a Tube |
Shipping Fee | Shipping Not Included |
“The Image of Love” reflects personal identity and cultural heritage harmony. It celebrates the role of women as bearers of tradition while acknowledging their place in the modern world. The delicate layering of calligraphy and patterns over the woman’s face highlights the deep connection between identity and history. It serves as a visual metaphor for how culture shapes and empowers individuals.
The central figure is a woman whose face emerges delicately yet powerfully from a background infused with intricate patterns. Her serene expression and direct gaze draw the viewer into the piece’s emotional depth. Soft lighting accentuates her face contours, making her appear ethereal yet grounded.
The woman’s face is adorned with Persian calligraphy. These flowing, elegant lines symbolize poetry, tradition, and the beauty of the written word. They hold deep cultural significance in Persian art and literature. The words seem to integrate seamlessly with her features, suggesting a fusion of identity, language, and history.
The background of “The Image of Love” is dominated by the paisley motif (known as “بته جقه” Boteh Jegheh in Persian art), which is a timeless design often seen in Persian textiles and carpets. These swirling, flame-like patterns symbolize life, eternity, and spirituality, deeply rooted in Persian culture.
The use of layers—where the woman’s face blends into the background—creates a dreamlike quality.
The central figure represents the resilience and beauty of women; in particular, it highlights these qualities within the context of cultural heritage. The woman carries the stories, art, and traditions of her ancestors. At the same time, she remains a powerful individual in her own right.
Moreover, they emphasize how these elements shape her essence and existence.
The dominant hues of teal, gold, and earthy tones evoke a sense of richness and heritage.
Teal and turquoise are traditional colors in Persian art, often symbolizing protection, spirituality, and the beauty of Persian tiles.
Gold accents enhance the regal and timeless quality of the piece, adding depth and opulence.
The darker tones in the background create contrast, allowing the woman’s face to stand out as the focal point.
The Image of Love merges traditional Persian elements—calligraphy and paisley patterns—with modern portraiture techniques. This suggests a dialogue between the past and present. Cultural heritage is not forgotten but becomes an inseparable part of a contemporary woman’s identity.
The calligraphy inscribed on the woman’s face signifies the power of language, poetry, and cultural storytelling. It may represent the woman’s voice—silent but ever-present—reflecting her strength, wisdom, and connection to history.
The swirling paisley motifs surrounding her are fluid and eternal, symbolizing life, renewal, and the enduring strength of cultural traditions. They seem to flow around and through her, creating harmony between the individual and the collective.
The central figure not only represents the resilience and beauty of women but also highlights their strength within the context of cultural heritage.The woman carries the stories, art, and traditions of her ancestors. At the same time, she remains a powerful individual in her own right.